Haale Rocks City Hall

Last night the free concert series in City Hall Square in Redwood City featured Persian-American Stanford-grad Haale (pronounced HAH-leh) performing her "psychedelic Sufi trance rock." It was a complete coincidence that I ever heard about the concert. I was taking the boys to the city last Friday on the train and decided to leaf through one of the free rags at the train station. They had a story about her and mentioned the Bay Area shows. I checked her out on Rhapsody and was blown away by her music, especially "Ay Del" from her EP Paratrooper. She's like Niyaz with electric guitars and cello. I'm serious: the blistering solos on the songs are played by a cellist using a distortion box.

I drove down and checked out downtown Redwood City, which I haven't explored for a while. They're trying to revive it from its 70s decay: the huge megaplex is new and shiny, and there are some nice restaurants and shops moving in. I arrived early and saw Haale and her band setting up. Good as her music is, it doesn't hurt that she's gorgeous. But even after the sun went down she never took off her sunglasses.

The set was taken from her two EPs and new album No Ceiling:

1. Baz Hava
2. Middle of Fire
3. Chenan Mastam
4. Off Duty Fortune Teller
5. Navayee
6. Floating Down
7. Hastee
Intermission
8. Home Again
9. Ay Del
10. Mast

11. (Persian Chant)
12. No Ceiling
13. A Town On The Sea
14. Ay Dar Shekasteh

After the show I bought a CD and talked with Haale a little. I noticed that occasionally she wasn't fretting the guitar, so I asked her what tuning she uses. She tried to explain, but finally I just asked what the strings were tuned to, low to high. She uses an open C tuning (C-G-C-G-C-E) on her guitar to get that droning sound. I made a mistake and commented that "Ay Del" wasn't on her set list anymore, and she said, "We played it!" She patiently explained "Home Again" and "Ay Del" are played together, which explains why the second one seems to start rather abruptly when I've listened online. It must have seemed like I didn't even recognize my favorite song of hers, but come on, I'd only heard it for the first time the day before, and it's in Persian. It' s a poem from Attar:

"The Beloved is always ready and standing at the door

Open the window of your heart, be ready and alert for the Beloved."

I had to compliment the percussionist Matt Kilmer for sounding like such a full percussion section with so few instruments. Haale's music doesn't easily fit into any established categories; it's an unusual musical experience but ultimately rewarding.